Saving Hamlet

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Something fun to help me recover from a month of reading horror – theatre nerds, Shakespeare, time traveling, a bisexual BFF, and a plethora of cute boys to crush on, gay and straight. What more could a girl ask for?

15-year-old Emma is hoping to forget her freshman year at BHS. She started last year as a soccer star with long red hair and a bright future. But then the Hallowe’en party happened and she quit the soccer team and lost her friends. Life looked pretty bleak. Then Lulu sat at her lunch table one day and asked her to join the drama club, and suddenly life looked up again. She had a new best friend and a purpose.

So sophomore year looks good. Emma has changed her look  and she has changed her life. She has a sleek short haircut and a drama appropriate all-black wardrobe, is the assistant stage manager for the school production of Hamlet, the hottest boy in school is directing the play, what could go wrong? Well, how about a fight with her best friend, a sudden promotion to stage manager (a position she has just begun to learn), bad casting for the play, and a hole in the centre of the stage that she trips over and falls through.

And lands in Hell. Otherwise known as the basement below the stage at Shakespeare’s Globe Theatre. Yes, that one. The one in London, in 1601. And the players are preparing to stage Hamlet for the first time. And Emma is mistaken for a boy (how flattering) and as the assistant to the stage manager Mr. Wick, who is known as the book keeper.

Emma is NOT an actor in a story that is set in the theatre. I like that. She is self-conscious and endearing, funny and conflicted, and seems on the edge of losing control at all times. Thrust into the spotlight when the stage manager quits, she has to juggle fragile egos and a disastrous production in the making. Not to mention her no-longer-best friend’s life is imploding, and there is nothing Emma can do to help.

Emma (known as Master Allen in the Globe) encounters Shakespeare himself in her travels back to his theatre, and soaks up the atmosphere of the original production and studies his methods and motivations. She brings that knowledge and new-found confidence in her ideas back to her present day production, and back to her relationships.

Every kid in the novel is misunderstood and melodramatic and, therefore, a totally authentic teen. Small things become huge, and huge things actually become easier to handle. Who would have thought that traveling back in time 400 years would actually be preferable to working on a high school drama club production? (I may have just answered my own question there.)

Stanley and Lulu, Emma’s two best friends, are gay and bi and possibly two of the best-written characters I have read in ages, if not ever. They are beautifully developed with individual personalities and quirks and jealousies, they are complex and not “token”, which I have found so many of the diverse characters in other novels to be lately. And, to top it all off, they are sarcastic and funny, which pretty much made them my favourites.

But all the present-day characters in the novel are strong. I d0n’t necessarily like each one, but my reasons for not liking them are because of their personalities, not because they are poorly written. They aren’t. They are all so real and familiar to me, I am pretty sure I went to school with at least half of them. (Or, given my age, their parents.) And the characters from Shakespeare’s troupe of players and stagehands are exactly how I would picture each and every one, from Will himself to Burbage and Wick. Their humour and egos are spectacular.

The plot is FABULOUS. Author Molly Booth weaves Shakespearean facts and literature throughout the novel, illustrating all the magic that is present in his writing. This isn’t a novel that is filled with action, but rather with subtext and stories and growing up and learning all of life’s fun and not-so-fun lessons. The drama playing out in Emma’s life is mirrored in the theatre, as is the drama in each of her co-workers’ and friends’ lives. Who can be trusted, who is real, what is their motivation for their actions? It is as hilarious as it is poignant and adventurous.

Booth’s world-building showed meticulous research and thorough understanding of the time. Her attention to detail in both the Globe’s and the present day’s productions is impeccable, making me feel like I was breathing in the sawdust of the old theatre and smelling the rank odors of the costumes and players. 17th century London was full of interesting characters and Em’s adventures in that century had me on the edge of my seat.

This is a great novel for anyone with a yen for adventure and romance. And while knowledge of Shakespeare isn’t a requirement to understand the story, it certainly adds to the enjoyment. LOVE this one.

Saving Hamlet was published November 1st, 2016 by Disney-Hyperion.

23 thoughts on “Saving Hamlet

  1. YAYAYAYAY thank you for sharing your review so I could reaaaaaaaad it! 😀

    Nice work! ❤ (I know, I know–pathetic little comment is pathetic but we already talked about how much we agree on the important aspects of this read soooooo….pathetic I shall be!)

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  2. “Every kid in the novel is misunderstood and melodramatic and, therefore, a totally authentic teen.”

    Ha! =D

    The premise had me skeptical at first, but your list of praises (especially regarding the research the author clearly engaged in before writing about historical London) has sold me. This book sounds awesome. Great review, too! =)

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    1. Thanks! It was a blast to read, and the authenticity of the theatre and characters really hooked me. I think I read somewhere (maybe the end notes? I’m too lazy to check…) that the author studied Shakespeare in university, so she has the credentials!

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