If I had to summarize this novel in a couple of words, it would be intensely trippy. Think Shakespeare and brain damage and hallucinations and then throw in the usual teenage angst and drama, and there you have it.
17-year-old Jaye doesn’t know how she ended up in a hospital bed with a blinding headache, but she’s pretty sure that characters from Shakespeare’s plays shouldn’t be there with her. So probably best not to tell anyone about that little problem. Her one pleasure in life right now is her work in the school play, so as the star of Midsummer Night’s Dream she has to convince her doctors and her family that she is ok to leave the hospital before she loses her prized role.
But she has personal demons to deal with on top of everything else. A broken family and feelings of loss and abandonment fuel her struggles. Her life becomes intertwined with Shakespeare’s plays and she can’t keep the two of them straight. Especially when Romeo walks into class on her first day back to school. Where does reality begin and fantasy end?
Jaye is a totally unreliable narrator, which has possibly become my favourite kind. I love getting into the head of someone who thinks completely differently than I. I even like that I don’t like her. She is extremely self-centred and immature. Where I do have a problem with her is the lack of growths she displays throughout the story. Yes, she has a severe head injury, but it seems like it knocked all the sense out of her. She does not develop or change, and she doesn’t seem to learn from her mistakes, acknowledging them and then going on and repeating the same ones over and over again.
And although I understand why she wants to keep her hallucinations secret, and she is afraid of losing her role in the school play, that motivation loses it’s believability as the story continues. There is a certain point where you have to let it go. Certainly when you can no longer remember what role you are playing and in which play. At some point, healing has to become a priority. There is always another play.
The secondary characters are widely varied, and I found the real ones less believable than the hallucinated ones. Pierce is a bit of a sociopath, and it is never clear whether he is truthful or not. Does he actually like Jaye, or is it an ego thing? Is he telling her the truth about her dad? He is not a likeable character at all. Jaye’s mother and sister are a bit one-dimensional, and her mother is not believable, letting her severely head-injured daughter call the shots about leaving the hospital and going to school.
But the way the Shakespearean characters randomly pop up throughout the novel is unexpected and creepy and so well done, keeping the line between fiction and reality blurred. Ophelia is awesome. She appears soaking wet and cold and white and her mind is distant and confused, straight out of the play. Hamlet fluctuates from mad to lucid and back with each appearance, talking to the ever-present skull, while the Bard himself personally questioned Jaye’s actual desire to return to full health.
The plot explores conflict of many kinds, including the dysfunction present in even a “perfect” family, Jaye’s troubled relationship with her father, her difficulty in facing that conflict, being torn between what you want and what you can have, and of course, reality versus fantasy.
And the storyline itself reflects Jaye’s state of mind. There are secrets and twists and confusion, building tension and leading to an… ending. The story just stops. And I’m not entirely sure what happened. Perhaps everyone died? Perhaps everyone lived happily ever after? It is certainly Romeo & Juliet-esque. (Oh! Maybe it is Newhart all over again! I jest. And show my age.)
I like this novel, but don’t love it. It is not for everyone. You must enjoy being off-balance to get the full effect.
Dreamers Often Lie was published April 5th, 2016 by Dial Books.